About Time (2013)
About Time (2013)
Directed by Richard Curtis; Starring
Domhnall Gleeson, Rachel McAdams, Bill Nighy
Rating: 3/5
About Time takes place in the cosy romantic Britain of Richard
Curtis, where nervous middle class Englishmen fall head over heels for gorgeous
American women. Curtis paints an idealised London of lawyers, playwrights, art
galleries and vintage fashion. In the midst of it all is aspiring young lawyer
Tim (Domhnall Gleeson), who arrives in the capital with new ambition, and a new
ability.
For Tim has just been told the
family secret by his father (Bill Nighy). He, along with all the other men in
his family, is a time traveller, and can rewrite his own history by travelling
back to any point along his own timeline (but no killing Hitler). Nighy’s matter-of-fact
exposition on this matter starts the film; along with Tim’s natural incredulity,
it is a comic highlight.
But this is a Richard Curtis project,
and Tim’s future is not a chronicle of epic destiny, but a chance for him to
finally meet the girl of his dreams. She arrives swiftly in the form of the
expatriated Mary (Rachel McAdams).
Gleeson shines as an atypical
leading man, red haired, slightly gangly; at once identifiable and appealing to
the audience. McAdams is pleasant, but her character is given little to do.
Notably, she never discovers Tim’s big secret.
Much of the humour comes from
Tim’s courtship of Mary, during which he repeats awkward encounters and must
meet her for the first time more than once (including a memorable date in London’s
famously pitch-black Dans le Noir
restaurant, a nifty cinematic experiment).
The approach is reminiscent of
that other great time travelling romantic comedy, the thoroughly brilliant Groundhog Day (1993). But Tim has a
blessing, not a curse, and with complete control over his path, approaches with
less cynicism and more “Let’s try that again, shall we?”
So the blend of time travel
with a romantic comedy is not entirely original. There is also an inevitable comparison
with The Time Traveller’s Wife (2009),
which also starred Rachel McAdams. Maybe she’s stuck in a time loop herself.
As for specifics, the film
directly asks you not to question it too much. “We don’t seem to have destroyed
civilisation yet” says Nighy. Some rules rear their head as the narrative progresses,
but it’s hard to know what the boundaries actually are, and I just watched Primer (2004).
This is not a film about time
travel, but a romantic comedy in which time travel furthers the plot. But it is
about time: how we choose to spend it, and who we choose to spend it with. And
while it’s a romance on the face of things, the more interesting relationship,
and certainly the more poignant, is between Tim and his father.
At times, it’s unashamedly
sentimental. The entire film has a softness to it that makes you wonder if
Curtis smeared Vaseline on the lens. Curtis even manages to turn a potentially day
ruining downpour into a fresh and glorious celebration.
The strength of the writing is
in the ability to remain unexpected, and some of this is naturally due to the
ability of time travel to allow unexpected things to happen. Conflict appears
in unlikely places, and least of all in the relationship between Gleeson and
McAdams.
It’s not perfect, but for all
the derivative and saccharine elements, the central father-son relationship is eloquent,
and something rarely explored in this way, especially with this level of
British reserve. Though the script is witty, it is only peppered with outright
comedy (this is still gold, from the versatile Tom Hollander, fantastic as a jaded
slovenly playwright, to Tim’s swift cycle through a series of potential best
men, complete with appropriate speeches).
Being relatively unfamiliar
with his previous works (aside from classic television shows Blackadder and The Vicar of Dibley) About
Time has at the very least inspired me to investigate Richard Curtis’s
other films, which are apparently much stronger.
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