Anchorman 2: The Legend Continues (2013)
Anchorman 2: The Legend Continues (2013)
Directed by Adam McKay; Starring
Will Ferrell, Steve Carell, Christina Applegate
Rating: 3/5
Perhaps it was inevitable that
the long anticipated sequel to the cult film that, along with similar
contemporary classics such as Meet the
Parents (2000), Zoolander (2001)
and Dodgeball (2004) all but defined
early 2000s comedy, cementing the already burgeoning careers of its stars and
making household names out of Will Ferrell, Steve Carell, et al, would have
very high expectations, and be met with a certain amount of disappointment.
This doesn’t have to be the
case with all comedy sequels, and indeed some of the most beloved and
re-watched films in my collection over the years have been back to back
comedies, such as the Ace Ventura
(1994, 1995) or Bill & Ted (1989,
1991) films, both of which feature sequels easily as good as the originals.
Trilogies, such as Austin Powers (1997, 1999, 2002) or The Naked Gun (1988, 1991, 1994) have
their ups and downs but maintain a certain level of quality throughout.
Meanwhile, Ghostbusters II (1989), Men in Black II (2002) and Wayne’s World 2 (1993) are perhaps not
as strong as their predecessors, but retained their talent and remain integral
parts of the narrative that are by no means cast aside by posterity.
Hype easily breeds
disappointment, and I’m unlikely to be overexcited or giddy with anticipation
when this kind of release occurs, so I’m rarely underwhelmed or otherwise. A lacklustre sequel is not a personal affront
on my loyalty to the original, and Anchorman
2 is a competent enough film, a well produced, big budget Hollywood comedy
vehicle for its stars.
Yet as a sequel, bearing the uninspired
and unnecessary subtitle The Legend
Continues no less, Anchorman 2 is
more like the relatively reprehensible Airplane
II: The Sequel (1982) which paled in comparison to the golden original
which is still enjoyed today. Both sequels carbon copy classic sequences from
the original almost shot for shot, attempting to conceal their originality
behind purported homage and call-backs.
Though the cast was reunited,
at least Airplane II had the excuse
that none of the original creative talent returned. Anchorman 2 was written by leading man Will Ferrell and returning
director Adam McKay, so they’re only letting themselves down.
They’ve clearly tried to go
bigger, under the assumption that it will mean better, making for a film that
is even more surreal and absurd than the original. Even more so than the first
film, Anchorman 2 is only feebly
anchored in the real world, and the story shoots for a laugh so often that the
whole picture becomes more of a hit and miss sketch show than a coherent
narrative. Of course, this merely reflects the Saturday Night Live format under which most of the talent involved
cut their teeth. This doesn’t mean it’s not funny or entertaining; far from it.
The hits, after all, are still hits. At least they still have a ton of fun
exploiting the ludicrous period fashion and hairstyles.
Ron Burgundy himself was
always an endearing buffoon, but this time around he is utterly incompetent at
everything he does, including being a father. This is offset only by his relatively
inspired invention of sensationalist news to win a ratings war and apparently, ice
skating (an allusion to 2007’s Blades of
Glory?).
The rest of the returning cast
continue to tread the same path as before, but as caricatures of themselves
which appear even more conceited and despicable than usual, although sex-crazed
Brian Fantana (Paul Rudd) seems to have mellowed, remaining evermore the only
sane man.
Ron wins it all and loses it
all about three of four times over the course of the movie, but the driving
force is a critique of the aforementioned 24 hour rolling news which typifies
the excesses of the American media, eschewing true journalism in favour of car
chases and patriotism.
The film is strongest during
this satire, and weakest during the more derivative subplots which bulk to
length to a rather overlong two hours. The final act comes out of nowhere just
as the film is starting to drag, and then generates an entire separate arc, and
the climax is yet another news team battle even longer than the first, with
celebrity cameos coming thick and fast. So while Anchorman 2 still delivers a
few solid laughs over the course of a couple of hours, my advice to anyone who
finds it utterly unpalatable is to just try and remember that the original
still exists.
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