Friday the 13th, Part 2 (1981)
Friday the 13th, Part 2 (1981)
Directed by Steve Miner; Starring
Amy Steel, John Furey, Adrienne King
Rating: 3/5
This is the first sequel to
Friday the 13th (1980) and in many ways it’s a retread of the original.
We’re back in Camp Crystal Lake, where a new gang of teenagers have had the
less than sensible idea to try and become camp counsellors. Most of the films
in the series follow a basic formula, and there are about ten more of these,
each with their own idiosyncrasies that define them, for better or worse.
Friday the 13th, Part 2 stands out for a number of
reasons. For one thing, it’s the first sequel, and the first to directly
feature the killer who would go on to define the franchise: Jason Voorhees. Notably,
he hasn't even acquired his signature hockey mask yet, and instead obscures his face with a sack.
Unfortunately, it looks a
little stupid and impractical, and it’s nowhere near as iconic as the hockey mask
or even the white mask of Michael Myers in the competing Halloween franchise. But otherwise clad in a plaid shirt and
dungarees, this Jason comes across more as a shady backwoods killer than the
relentless undead monster of later sequels.
The story is set up quickly
and simply. After a direct flashback to the ending of the previous movie, we get
a tense, jump-filled introduction which ties up the one loose end from the
first film, the lone survivor Alice. Back at Crystal Lake, new counsellors are
attending pre-camp training, led by Paul (John Furey) and his girlfriend Ginny
(Amy Steel), who are the main protagonists. The other counsellors are merely
fodder for Jason.
This fact is obscured at
first, as Paul takes most of the counsellors out for a last night on the town
before camp begins. As a result, we see little of Paul and Ginny until later in
the movie. Unsurprisingly, those who choose to say behind at the camp are
sitting ducks, and for the next act, there is no clear protagonist.
The director, Steve Miner,
retains the atmosphere of his predecessor, but with slightly tighter pacing. He
would direct the third instalment in the franchise; as a result, the first
trilogy has some of the strongest continuity in the series. Thematically, this
film is linked with the original in ways that the other films aren't.
I liked the way that the story
of Jason and his mother was told around the campfire early in the film. This
tale encourages the characters to head into the woods to find evidence of Jason
or the original Camp Crystal Lake, and it does not end well once Jason realises
they have trespassed on his hallowed ground. This Jason is still haunted by the
ghost of the late Mrs. Voorhees and we also see where he lives: in a ramshackle
cabin in the woods behind the lake, and this is where the final chase and fight
end up.
Ginny is revealed to be
studying child psychology and discusses the effect Jason’s upbringing and the
death of his mother may have had on his behaviour. Cleverly, Ginny eventually
uses her knowledge to manipulate Jason in the finale and buy time.
Another recurring theme is
that characters mention what they’re going to do with the rest of their lives
(using those words) which is deeply ironic, considering the fate that will
likely befall them. One character declares she needs a couple of months to sort
her life out, one idly muses about what he’ll do for the rest of his life, another
promises that she will never be ‘late’ again, and a disabled character declares
he doesn't intend to spend the rest of his life in a wheelchair.
Save a hockey mask, there’s here
everything that a Friday the 13th
film suggests, including some good action (at one point, Ginny attempts to fend
Jason off with a chainsaw), inventive and gory death scenes and plenty of
neglectful sexcapades which lead to the arrival of Jason. So it does the job.
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